From Recitation to Performance: The Traditional Path of Mastering a Gat
My Guru (my father) Late Keshab Changkakati This ancient Gat of the Farukhabad gharana was first taught to me by my guru (my father) fifty-eight y…
From Tradition to Sonic Heritage
History Of Music Of Kamrup-Kamakhya
Aauniati Satrat Taal by Dilip Changkakoty
Kaal Darshan by Dilip Changkakoty
Dilip Changkakoty is a distinguished heritage scholar, ethno-musicologist, and expert tabla exponent, proficient in the Ajarala and Farukhabad Gharanas. A UNESCO-recognized authority and Zonal Representative of ICOMOS India (North East Zone), he has dedicated his life to advancing intangible cultural heritage, ethno-musicology, and heritage conservation. With over 36 years of professional experience as a Highway Engineer under the Assam PWD, he uniquely bridges the realms of scientific engineering precision and cultural scholarship. His profound research, artistic mastery, and visionary leadership embody a rare synthesis of technical intellect and cultural devotion, contributing significantly to India’s heritage discourse.
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Articles Of Dilip Changkakoty
My Guru (my father) Late Keshab Changkakati This ancient Gat of the Farukhabad gharana was first taught to me by my guru (my father) fifty-eight y…
This is a very rare Gat from the Farukhabad gharana. Although we have documented this Gat in staff notation for students and readers, learning it…
Abstract This paper examines the traditional techniques of indigenous gold extraction practiced in Assam during the Ahom period, focusing particu…